The aim of the play is to examine Anglican Communion combined with a personal and political look at the lead [...] No related posts. Related posts brought to you by Yet Another Related Posts Plugin.]]> The new West End play, Love the Sin is quite a mess, although it is notable given the fact that it actually looks seriously at the Christian faith, which is not the trend in modern secular society.

The aim of the play is to examine Anglican Communion combined with a personal and political look at the lead character Michael, who is a devout Christian that has an affair with Joseph, an African porter during a bishop’s conference in Africa.

After the fact, Michael must sort through his guilt and vengeance, which continue to chase him while living at home in England.

The scenes such as the priests attempting to wrap their heads around openly gay priests show that screenplay writer Drew Pautz can write in a way that remind viewers of Shaw.

However, he fails to actually show the soul and heart of Michael to the audience, which is disappointing especially given the fact that the audience favourite Jonathon Cullen fails to deliver the performance as capturing as usual.

In the end, the play culminates with a scene showing Michael and his wife attempting to deal with his bisexuality and how it fits within their Christian faith and their relationship.

However, Pautz does not give this story the attention it should be, instead focusing on his wife’s internal struggle about IVF as a Christian option and childlessness.  In fact, he even focuses more on an ethical way to get squirrels out of their home which is somewhat disappointing and a very isolated story line.

In the end, the supporting actors of Charlotte Radle and Ian Redford help make it worth a view, although it could have been better given a bit more depth.

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